The murals will be documented following the methodology of oral history, through interviews, resulting in a first approach to an audiovisual memory project. Interviews will be conducted and will be guided by flexibility and search for meaning in the conception of the interviewees. These will be chosen taking into account their participation and involvement in the production of the murals, with the aim of analysing the course of this artistic manifestation from its conception to the present day.
These interviews, as well as other existing documentary image records, will constitute material for the making of a documentary that will also include the record of the production process of the murals during the Festival of the Blessing of the Cattle in July 2022.